City West
Long poem in three sections. Distributed in Ireland by hardPressed poetry.
From the cover:
It seems a shame that many Irish poetry readers are unaware of Catherine
Walsh's very obvious gifts. Her brilliant punning, the way she assembles
disjointed, yet perfectly rendered fragments of Dublin argot and her ability
to imply simultaneous narratives mark her out from her contemporaries.
Walsh's work subsequent to Making Tents shatters practical language in its
rejection of transparent or normative discourse.(Her) disjunctive,
disorientating poetry acknowledges language as a medium which constructs our
relation to others, to objects, to ourselves. Her poetic subjects are always
Idir Eatortha, caught "between two worlds"
Walsh's poetry attempts to move away from a position of hierarchical
domination and construct a poetic space of non-mastery and
heterogeneity.Thus, Walsh's poetry, unlike Derrida's theory, allows for
speaking positions for women within the liminal space. However, these
positions are always temporary, facilitating the articulation of many
different subjective voices across a range of many different spatial
settings.
Definitely not prose.
'Of the newer poets, she's unique; she's also amongst the best.' David Miller.
'the common phrase, finely balanced and razor sharp, each echo cared for' Ric Caddel.
Pitch
A poem in four parts.
'worth reading not least to watch thought select which parts of itself to display in
language' Tom Raworth.
'a variety of complex tonalities too rarely found in the more monolithic ironized
play of many experimentalists' Dr. Tuma (oc. cit.).
Idir Eatortha and Making Tents
44 page poem, extending Walsh's use of space, silence and multiple voicing,
plus reprint of a 1987 hardPressed Poetry pamphlet. A beautifully produced book with
illustrations by Didi Baldwin.
Prospect into Breath: Interviews with North & South Writers
19 page interview with Catherine Walsh, in which she discusses her formative influences, feelings about contemporary Irish poetry, etc. Plus Ric Caddel, Eric Mottram, Jonathan Williams, Lee Harwood and 4 others.
Shearsman Books: 2005. A4. 82 pp. pbk. ISBN 1 85298 017 6.
Euro 13.50
Dónal Morairty: The Art of Brian Coffey
Alex Davis: A Broken Line
Claire Bracken: 'Each nebulous atom in between': reading
liminality - Irish studies, postmodern feminism and the poetry of Catherine
Walsh in New Voices in Irish Criticism 5
Short Stories
North & South: 1989. A5. 24 pp. pbk.. ISBN 0-907562-54-X.
Euro 5.00
Pig Press: 1994. 23 x 14 cm. 48 pp. pbk. ISBN 1 85298 017 6.
Euro 12.50
Invisible Books: 1996. A4. 85 pp. pbk.. ISBN 0 9521256 4 1.
Euro 7.00
North & South: 1991. A5. 190 pp. pbk.. ISBN 1 870314 17 4.
Euro 12.60
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